Charmedby Vickie TernIn those days paintings were often stillpoints in time, illustrated moments implying whole narratives, tableaus suggesting how ...hings got that way and what might happen next. Mostly they portrayed the sad or sentimental evidence of lost possibilities, characters forever caught in an unalterable predicament for the viewer to contemplate. In those days paintings required viewers with imaginative sympathy. Even faith, because such paintings present the evidence of. Neither of us seriously believe in God anymore, but Marco was raised as a Catholic, and some things never leave you.We look at the tall wooden confessionals. Perhaps not for us!I am fascinated by an enormous painting of St Agatha. She is just standing there patiently and wearing a strange smile while some men are cutting her breasts off. One is already off and is sitting on the ground, nipple upwards. Marco explains that people needed vivid and realistic images in the middle ages to understand. More

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